Ty (9), attention-seeking (three), or play (16). Note that numerous sequences could often be detected inside 1 So-U bout. In total we analyzed the rhythmical properties of ten So-U, creating a total of 20 sequences, i.e., these in which successive beats could be clearly identified from the background noise (Table 3). Rhythmical analysis concerned only seven contextualized SoU (Table three). Two of
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